“… We decided, wouldn’t it be different if we wrote a movie where the Asian guys weren’t the ‘best friend,’ and they were front and center.”
[…]
The bottom line? Cho believes that the success of the H&K films shows the studios that “it’s not the public that doesn’t want to see Asian faces. The public is a lot less conservative than [the studios] think they are.”
(Source: fuckyeahharoldandkumar)
